![]() Crucially, John explains when to break the rules and shows how lighting techniques that look terrible in some scenes can make others pop with energy. After getting to grips with digital lighting mechanisms and the relevant Daz controls, John describes several rules that help you avoid common lighting errors, such as boring ‘flat’ light and shadows that go in impossible directions. Understanding the settings and how and when to use them will help you to create more photorealistic renders without the frustration of adding light after light to a scene without knowing in advance what they will actually achieve. Painting with light is an artistic skill that the movie industry has long recognized as key to creating mood and feeling. ![]() You won’t need to use third-party software like Photoshop.ĭid you know that there are 2 separate f-stop parameters in different parts of the Daz Studio interface, one that controls depth of field and one that controls scene brightness? John clearly explains these and the other parts of Daz Studio that make lighting confusing, highlighting the key parameters that actually make a big difference to a scene. John creates the renders using only Daz Studio and freely downloadable lighting resources (such as HDRI files). John expertly takes you through examples of these kinds of lighting and more. We know what the rules are and when to break them. ![]() In terms of terminology and the types of lights we put into our scenes, we use softboxes, reflectors, color temperature, high-key, low-key, studio portraiture, bodyscaping, Rembrandt lighting, using a mirror as a backdrop, god rays, and haze. Working exclusively with the Iray Render Engine, we use real-world lighting techniques.
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